Leaf-cutting Artist Omid Asadi was born in Iran and now lives in Sale, Greater Manchester, England where he gathers fallen leaves and uses a craft knife and needle to transform them into exquisitely beautiful and expressive works of art. He even recreated The Scream by Edvard Munch on a leaf.

"Art for me is the way of looking differently to this world and around myself.I started to think why nobody paid attention to these beautiful leaves and trod on them, because of their name - if they were called flowers we wouldn’t tread on them at all! I wanted to give the leaves another Life and make art from them."

Visit Omid Asadi’s website and Facebook page to check out more of his hand-cut leaves. You can also follow him here on Tumblr at omidasadi.

[via Bored Panda]

For even more awesome leaf-related artwork, check out our posts about Lorenzo Duran Manuel Silva, Susanna Bauer, and LadyTinuz.

Artist Rogan Brown creates incredibly elaborate and delicate paper sculptures using layers of hand-cut watercolor paper. His latest piece, entitled Outbreak, is “based on the smallest structures found within the human body: cells, microbes, pathogens, and neurons.” Brown spent 4 months painstakingly designing, cutting and assembling this awesomely intricate piece, which he describes as an exploration “of the microbiological sublime.”

Here Brown explains a bit about his creation process:

"I am inspired in part by the tradition of scientific drawing and model making, and particularly the work of artist-scientists such as Ernst Haeckel. But although my approach involves careful observation and detailed “scientific” preparatory drawings, these are always superseded by the work of the imagination; everything has to be refracted through the prism of the imagination, estranged and in some way transformed."

Further proof that Art + Science = Awesome

Visit Rogan Brown’s website to check out more of his fascinating artwork.

[via Colossal]

Somerville, MA-based artist Judith Klausner (previously featured here) has developed a delightful line of jewelry based on From Scratch, her series of food-based art for which she combines food and traditional handicrafts. Klausner has adapted the process she used to make her Cereal Samplers, cross-stitch samplers made of Corn Chex cereal, to create wearable handmade monogram necklaces.

"Each letter is delicately hand cross-stitched onto a piece of Corn Chex cereal, embedded in resin, and finished with sterling silver plated findings on an 18" sterling silver chain.

It seems fairly certain that no two pieces of Chex are exactly alike, so these exquisite necklaces aren’t just unusual, they’re also unique. If you would like a personalized cereal necklace and/or know someone else who’d love one too, all you have to do is visit Klausner’s ArtSnacks Etsy shop and pick a letter and thread color. She also accepts custom orders for pieces made of 2 or 3 initials.

Visit ArtSnacks to view more cross-stitched Chex necklaces and Judith Klausner’s website to check out more of her awesome artwork.

San Francisco-based artist and architect Tiffanie Turner creates enormous, elaborate paper flowers that look like something Alice might’ve encountered in Wonderland. Each beautiful blossom is made of countless layers of delicate crepe paper, measures nearly three feet in diameter and takes anywhere from 35 to 80 hours to assemble.

"My work in paper stems from my background as an architect, particularly my interest in how things are made and the use of repetitive elements, along with my lifelong obsession with flowers and botanical drawings. The exploration of scale plays heavily into everything I do, and the organized chaos and rhythms in nature make the heads of flowers an excellent case study for me."

Turner has a solo show of her giant paper blossoms, entitled Heads, currently on exhibit at Rare Device in San Francisco through May 28, 2014. Assuming you live in the area, this sounds like a wonderful Mother’s Day destination.

[via Colossal and My Modern Metropolis]

Just in time for Easter, here’s a brand new entry from the Department of Extraordinary Eggshell Artists: Polish artist Piotr Bockenheim spends countless hours using a tiny electric drill, an awesomely delicate touch, and immeasurable patience to turn goose egg shells into exquisite sculptures.

Head over to Piotr’s DeviantART gallery to view more.

[via Colossal]

Olympia, Washington-based artist Chris Maynard freely admits that he’s obsessed with feathers. Using the feathers shed by his own Impeyan Pheasants as well as feathers collected from aviaries and donated by zoos and fellow bird-lovers, Chris creates amazing shadowboxes depicting the very species of birds from which the feathers originated. For such small, precise, and delicate work, Chris uses eye surgery scissors, forceps, and magnifying glasses.

Maynard explains why he does this in a blog post titled “Making Meaning”:

Feathers are perfect by themselves so why make art with them? I do it to add meaning: to direct the viewer to ideas they can relate to. Giving meaning abstracts from the thing viewed. The meaning is not the actual object seen. It involves assumptions which can be wrong. Here’s an example: These sharp-tailed grouse feathers are not grown by the bird to be images of big-breasted love demons, nor deer prints, nor heart-lipped faces. They just add to the bird’s camouflage helping it hide. I like to remember that the viewer’s mind gives meaning, not the thing viewed. The things themselves are just innocent participants of the mind’s workings. Whether it is the color of someone’s skin, the way people dress, or how we see a feather, seeking meaning helps make sense of the world. It is a very human quality.

Visit io9, designboom, and Chris Maynard’s website to view many more examples of his beautiful and delicate artwork.

Japanese paper artist Nahoko Kojima (previously featured here) recently unveiled her latest work of paper art at the Jerwood Space in London. Entitled Byaku (Japanese for White), this awesomely delicate and intricate piece is a life-sized depiction of a swimming polar bear. It was made using a single 3m x 3m sheet of white Washi paper.

"Before she started to cut the animal figure, she crumpled the paper by hand to give it an uneven texture, creating a more faceted form than the smooth surface would have allowed.

The artist revealed to Designboom that she, ‘chose this particular Washi because it has less then 100% Kouzo content and this means that it subtly turns warmer in colour over time – this mimics the fur of the polar bear which based on my research goes through a similar change over the span of its life.’”

The ends of the bear’s fur form shapes of carp and waves, enhancing the appearance that the animal is swimming through water. Byaku hangs from the gallery ceiling and spotlights positioned overhead cast shadows onto a white plinth below, creating swirling patterns like reflections on water.

[via Designboom]

These incredibly delicate and detailed sculptures are the work of Edinburgh-based artist Polly Verity, who creates them using wire and paper.

Most of her subjects are animals or mythological creatures and the size of her sculptures range from palm to life-sized. The wire for the sculptures is built up into a 3D frame and this becomes the contour and outline of the creature. The wires are joined together through wrapping and pinching; no heat is applied to forge the wire. She then applies wet fine paper that she first sizes with glue onto the structure. The paper dries and tightens up while formed on the frame. Her creations are usually kept encased in a glass dome or box for protection and display.

Visit Polly Verity’s website and Flickr page to check out more of her fantastic and fragile creations.

[via Beautiful Decay]

For a series of awesome sculptures entitled Why not hand over a shelter to hermit crabs?, Japanese artist Aki Inomata creates plastic habitats for hermit crabs inspired by styles of architecture ranging from major cityscapes (like New York’s skyline) to Parisian apartments or Tokyo-style homes.

Aki Inomata creates these delicate and beautiful new habitats by first conducting CT scans of her hermit crabs’ discarded shells. Capturing a detailed 3D rendering of their abandoned homes enables her to prototype and produce new habitable shelters that her hermit crabs will find similar to their usual homes.

"The semi-transparent, delicate forms are designed in the style of physical human environments, which ironically become a shelter for the aquatic arthropods. The biology of the hermit crab makes it a fascinating example of identity transfer — as they grow they require larger shells and periodically interchange their external portion with other members of the crustacean community. Inomata connects her study of the hermit’s transformation to the self-adaptation of humans, whether it be in acquiring a new nationality, immigrating or relocating."

[via Designboom]